Monday, June 24, 2013

Excited, but cold: Scientists unveil the secret of a reaction for prebiotic synthesis of organic matter

June 24, 2013 ? How is it that a complex organism evolves from a pile of dead matter? How can lifeless materials become organic molecules that are the bricks of animals and plants? Scientists have been trying to answer these questions for ages. Researchers at the Max Planck Institut f?r Kohlenforschung have now disclosed the secret of a reaction that has to do with the synthesis of complex organic matter before the origin of life.

Since the 1960's it has been well known that when concentrated hydrogen cyanide (HCN) is irradiated by UV light, it forms an imidazole intermediate that is a key substance for synthesis of nucleobases and nucleotides in abiotic environment. The way how UV radiation acts in this reaction to produce complex organic matter was, however, never clarified. Dr. Mario Barbatti and his colleagues in Germany, India and Czech Republic have now shown how this process occurs via computer simulations.

Using diverse computational-chemistry methods, the team has arrived at astonishing conclusions: For example that the reaction does not take place in the hot spot created by the solar radiation. "This has nothing to do with heat, but with electrons," says Mario Barbatti.

The reaction proceeds through a series of electronically excited intermediates. The molecules get into the "electronic excited state" because of the UV radiation, which means that their electrons are distributed in a much different way than the usual. That changes the molecule's attitudes. "But this takes some time," says Mario Barbatti. They showed that the radiation energy is dissipated too fast, and because of that each reactant molecule absorbs hundreds of UV photons before it finally gets converted into the imidazole intermediate.

"This is very inefficient -- and quite extraordinary," says Mario Barbatti. That is why it was quite challenging to comprehend the reaction, explains the physicist from Brazil. He and his colleagues have calculated a lot of possible intermediates, tried -- and discarded most of them. Finally they found out that there is only one single pathway that is consistent with the fast energy dissipation and previous experimental observations.

But why did they work on the computer? Isn't it the case that chemical reactions are worked on in laboratories? "Some intermediates are too elusive to analyze them in the laboratory -- they disappear before we may see them," Barbatti explains. Computational Chemistry allows the scientists to comprehend the reactions in a theoretical way.

"As I said before, this reaction has nothing to do with heat," says Barbatti. The transformation works in a cold environment, as in comets and in terrestrial ices, where spontaneous HCN polymerization is most expected to occur.

The team has published their results, which help to understand the role of solar radiation on the origin of life, in the recent issue of Angewandte Chemie.

Source: http://feeds.sciencedaily.com/~r/sciencedaily/most_popular/~3/Q7w5RJO2C7M/130624104213.htm

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Jurors in Trayvon Martin case face almost total seclusion

By David Adams

MIAMI (Reuters) - When the Trayvon Martin murder case goes to trial on Monday in Sanford, Florida, the jury will enter a world of almost total seclusion, separated from their friends and families, as well as laptops and smart phones.

"They are treated like prisoners," said Richard Gabriel, 53, a trial consultant and president of Los Angeles-based Decision Analysis who worked on the 1995 trial of disgraced former NFL star O.J. Simpson, who was acquitted in a double-murder case, and Casey Anthony, who was acquitted of killing her daughter in 2011.

The six jurors, backed by four alternates, will decide whether former neighborhood watch volunteer George Zimmerman, 29, should face up to life in prison for killing Martin in a case that sparked a national debate about self-defense, guns and equal justice.

Sequestration happens quite infrequently in trials and only in extraordinary cases that have received intense media coverage. "It seeks to create a more pristine environment for the justice system to proceed," Gabriel said.

"The whole purpose is to isolate you from the world," said Miami lawyer David Weinstein, a former state prosecutor. "They put you in a bubble - complete internet isolation."

Historically, sequestration was used to prevent juries from being influenced by family and friends, said Weinstein, but now is used to insulate them from the omnipresent modern media.

The Zimmerman jurors, cloaked in anonymity and referred to only by numbers in court, will be kept in a hotel, from which they will be transported to and from the court.

Television channels in their hotel rooms will be limited to restrict access to news about the trial, including late-night comedy.

During the Anthony trial, when jurors were sequestered in Orlando for six weeks, members of the panel were limited to taped movies and ate meals together.

Family contacts, including conjugal visits, are usually restricted to weekends. Internet access is limited to essential online bill payments.

In the Zimmerman trial the jury will spend the duration of the trial - an estimated two to four weeks - under the constant watch of the local sheriff's office.

A court spokeswoman said it will not discuss sequestration issues until after the trial is over, with one exception. "I will clear up one frequently asked question," said Michelle Kennedy, the court services administrator. "Jurors will not be required to share rooms with their fellow jurors."

The six members of the jury are all women, as are two of the four alternates.

"It can be both a uniting and a dividing experience. Some juries do a very good job and get on very well," Gabriel said.

The internal dynamics of sequestered juries can be complicated during long trials, such as the Simpson case, which lasted more than eight months.

"There's an internal pressure cooker," Gabriel said. "It depends on whether they get along. Some juries form factions."

The isolation can be so complete that juries are often surprised by the public reaction after it is over.

"The Casey Anthony jury were shocked when they heard how angry people were with the verdict," Gabriel said. "They felt they were following the law."

(Editing by Tom Brown and Bill Trott)

Source: http://news.yahoo.com/jurors-trayvon-martin-case-face-almost-total-seclusion-050528338.html

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Sunday, June 23, 2013

Andrei Cherny: Paul Soros' Visible Legacy

At this moment when Washington is convulsed with debates over the most significant overhaul of immigration laws in a generation, the life and work of a man named Paul Soros, who passed last week at the age of 87, is not only instructive, but inspiring.

Born to a Jewish family in Hungary, Paul Soros fled the Nazis and escaped Russian imprisonment before coming to the United States with $17 in his pocket in 1948. The engineering firm he established a few years later came to dominate the port-building industry and help make the global economy possible.

All this would, in and of itself, make the passing of this gentle, courtly man noteworthy. But in the last chapter of his long life, Paul Soros undertook another effort that, even with him gone, leaves an important voice in the current debates.

Fifteen years ago, along with his wife Daisy, Paul Soros established a "Fellowship for New Americans" to support the graduate studies of immigrants and children of immigrants. In the New York Times obituary last week, the Fellowship was an afterthought; a single sentence in the second to last paragraph. However, in the context of the current fight over citizenship and immigration, it serves as a vital reminder.

Over the past fifteen years, 475 Americans have been awarded the Soros Fellowship. They and their families come from every corner of the globe, often escaping persecution and poverty only to find further hardship and struggle after arriving in this new land. Yet to read through the collected biographies of these men and women is to see stories not just of new Americans but of the oldest ideals of America reborn again.

These are the men and women who grew up sharing a single bedroom with their entire families and who now are brilliant physicists and physicians, United States Ambassadors and government officials, great poets and writers, pianists and violinists, CEOs of corporations and of major city public school systems, Ivy League professors and Emmy Award-winning producers, public interest lawyers and non-profit leaders.

In short, these men and women represent so much of the best of America - our ability to serve as not only a magnet for people from all over the world, but to provide for opportunity for them and their sons and daughters.

However, their stories have sometimes become lost in the current immigration fight in Washington. Often that debate gets boiled down to nativist voices concerned with building a bigger fence with Mexico on one side and calls for greater openness to highly-skilled scientists from around the world on the other. There are few calls for further pushing open America's doors to families of tired, poor, uneducated refugees from Haiti or Cambodia or Yemen.

But Paul Soros understood that what matters most is not just degrees from institutions of higher learning, but the degree of an individual's determination and effort. That is what immigrants, even without highly valued skills in technology and prestigious diplomas, have historically brought with them to America - whether they landed at Ellis Island or LAX. That - much more than the $17 in his pocket - is what Paul Soros brought with him to America 65 years ago. And an infusion of this hard-charging, spunky outlook - even more than engineers and certainly more than fences - is what America needs right now.

The New York Times called Soros "the invisible Soros." And it is true he was not a world figure in the manner of his younger brother, George. Yet, in his unassuming way, his work and generosity in founding and funding this fellowship for immigrants and their children makes visible the stories that have always been at the heart of the American experience. That is a powerful legacy that will live on for generations to come.

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Follow Andrei Cherny on Twitter: www.twitter.com/andreicherny

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Source: http://www.huffingtonpost.com/andrei-cherny/paul-soros-visible-legacy_b_3484994.html

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Soprano talks of her 'sabbatical' from opera

SAN FRANCISCO (AP) ? Her character Antonia literally sings herself to death in Offenbach's "The Tales of Hoffmann," but in real life Natalie Dessay says her own upcoming break from opera is not so irrevocable.

"I'm going to take a sabbatical, and then we'll see," the French soprano said in an interview. "The truth is my repertoire is shrinking. I'm not a young woman anymore, so I don't feel adequate for roles where I'm the girl in love for the first time. I don't want to eternally redo Lucia or Ophelie or even Manon. I want some new challenges."

So after the curtain falls on her last performance in "Hoffmann" at the San Francisco Opera on July 6, Dessay will vanish for a time from American opera stages. Her last scheduled operatic performances anywhere are in Massenet's "Manon" this fall in Toulouse, France.

After that, no opera, at least through 2015. But that hardly means Dessay is giving up singing. She has several concert tours planned with pianist Philippe Cassard, who will accompany her in songs by, among others, Clara Schumann, Brahms, Debussy and Duparc. She also will tour with Michel Legrand, using a microphone while singing works by a composer known for his popular songs and jazz.

"So I won't be doing opera ? but I will be doing things to earn money," Dessay said.

And she'd like to fulfill a lifelong dream by breaking into theater. In fact, she started out as a drama student. Singing came about almost by accident because she had to do some for a role in a student play, and "people said, 'Oh, you have a nice voice.'"

That nice voice ? agile and bell-like up to the soprano stratosphere ? catapulted her to international stardom in the early 1990s in such comic roles as Zerbinetta in Richard Strauss' "Ariadne auf Naxos" and the mechanical doll Olympia in "Tales of Hoffmann."

More serious dramatic parts followed ? the title role in Donizetti's "Lucia di Lammermoor," Ophelie in Thomas' "Hamlet" and Violetta in Verdi's "La Traviata."

But now, at age 48, she no longer can manage the highest notes, and her voice never grew big enough for heavier lyric roles like Mimi in Puccini's "La Boheme."

"For example, I'd like to be able to do Blanche (the heroine of Poulenc's "Dialogues of the Carmelites"), but that's not for my voice," she said. "It would be possible in a small hall, but in a big house it's not a good idea. I've done Melisande (in Debussy's "Pelleas and Melisande") in a small house, but I couldn't do it at the Metropolitan Opera."

Still, based on her performance as Antonia on Thursday night, Dessay seems an unlikely candidate for early retirement from the opera stage. Vocally she sounded in fine shape, her delicate soprano perhaps a bit small for the role but fitting perfectly with her character's fragile state. And dramatically she was as compelling as ever.

One casualty of her planned time away from opera is the role of the emotionally unstable Elvira in Bellini's "I Puritani." She had agreed to do it in Paris and at the Met, but ended up canceling both engagements.

"The music is wonderful, but I just don't see myself playing her," she said. "She becomes crazy in exactly 30 seconds, then she's not crazy anymore, then she's crazy again.

"I mean, the libretto is really too stupid," she said, wrinkling her nose.

A new part she is considering after her sabbatical is the wily maid Despina in Mozart's "Cosi fan tutte." It might seem a surprising choice, since it's by no means the lead role in the opera.

"The Met offered it to me, and I think it's a good idea," she said. "It's maybe not that interesting to sing, but it would be wonderful to play."

The role she most regrets never performing is the title character in Berg's atonal masterpiece "Lulu."

"I couldn't learn it," she said. "It's just horribly long. Musically, I'm not a good reader. And I don't have perfect pitch. It would have taken me two years."

Even though she'll be doing concert tours, Dessay is looking forward to spending more time at home in France with her family ? husband bass-baritone Laurent Nouri and their two teenage children. As of June, she had been on the road non-stop since February.

"I think they are very happy, because they will see me more," she said, adding with a smile, "of course, they may regret that after a few months."

Source: http://news.yahoo.com/soprano-talks-her-sabbatical-opera-145442429.html

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Supermoon: Will it be 5 times larger? Not exactly. Still, cue 'Moonstruck.'

This year's supermoon ? it's also a strawberry moon ? will be (slightly) larger and brighter than others, because its full phase comes as the orb makes its closest approach to Earth.

By Pete Spotts,?Staff writer / June 21, 2013

A 'supermoon' rises behind the Temple of Poseidon in Cape Sounion, Greece. The phenomenon occurs when the moon passes closer to Earth than usual. The event this Sunday will make the moon appear larger than normal, but the difference is so small that most skywatchers won?t notice.

Dimitri Messinis/AP/File

Enlarge

It's bigger than a bleached beach ball, able to orbit Earth in 27.3 days ? it's supermoon! And it's coming to a night sky near you on June 23.

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It will be bright, beautiful, but definitely not "five times bigger" than usual, as some widely circulating web alerts suggest. More like 12 percent larger than average ? a difference too small to detect by eye without help from a camera.

Take a picture of Sunday's full moon high in the sky, then take a picture of another full moon of your choosing ? at roughly the height above the horizon using the same magnification. Set the two white disks side by side, and the difference is easier to see ? but nowhere near a five-fold difference.

Still, what can be finer on an early summer's night (or winter's night in the Southern Hemisphere) than sitting on the front porch or back deck and enjoying Earth's companion, weather willing?

In fact, it's a two-fer. The first full moon in June is called a strawberry moon, marking the harvest of strawberries after their short growing season ends, according to that annual compendium of weather prognostications, recipes, and lore, the Old Farmer's Almanac.

Supermoons occur once a year. This month's super-strawberry moon will be (slightly) larger and brighter than others because its full-moon phase comes as the moon makes its closest approach to Earth.

The moon's orbit around the third rock from the sun traces an elliptical path.? At closest approach, or perigee, the moon swings to within 362,570 kilometers (224,793 miles) of Earth, while its most-distant point, or apogee is 405,410 km. But those are averages.

Sunday night, the moon's perigee will come within 356,989 km of Earth, about 2 percent closer than average. And the moon reaches full status about 20 minutes after perigee.

As Phil Plait, an astronomer who pens the "Bad Astronomy" blog over at Slate.com puts it: "That's pretty nifty timing."

As with any full moon, Sunday's supermoon will appear unusually large when it's close to the horizon. In one sense, that makes any full moon super to view. But don't be fooled. As the late, great 18-century German philosopher Immanuel Kant noted: "The astronomer cannot prevent himself from seeing the moon larger at its rising than some time afterwards, although he is not deceived by this illusion."

If you miss this supermoon, it's not too early to mark your calendar for the next one. It should show up Aug. 10, 2014. And it's free!

Source: http://rss.csmonitor.com/~r/feeds/csm/~3/k0_69ccAPJs/Supermoon-Will-it-be-5-times-larger-Not-exactly.-Still-cue-Moonstruck.

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Wozniak on Jobs' Biopic: 'Young Steve Wasn't a Saint'

The first trailer of the upcoming Steve Jobs' biopic starring Ashton Kutcher is here. I asked Steve Wozniak, close friend of Steve Jobs and Apple co-founder about it. Here's what he said:

About Jobs' portrayal

I have a little bug in me that says that this movie will portray Steve as a saint who was ignored, rather than one of the key people who led Apple through failure after failure (Apple ///, LISA, Macintosh) while the revenues poured in from the Apple ][ that Jobs was trying to kill. It's nice to have the luxury to fail. The Macintosh market was created in the 3 years after Jobs left, with a lot of effort, by some who Jobs disdains.

Jobs came back as the saint and god we now recognize and did then head the creation of other products as great as the Apple ][, like the iTunes store, the iPod, the retail stores, the iPhone and the iPad. But he was a different person, more experienced and more thoughtful and more capable of running Apple in those later years.

We truly could have used the later Jobs in earlier years at Apple, is what I feel.

About him and the supporting characters

I was ok with how it showed me, unlike the first preview.

Other characters like Sculley and Markkula are wildly exaggerated in ways that tend to portray them as sleazy or something. In fact, they both had the same high ideals of where computers could lead us as Steve did.

As for the film itself, Woz is open about it: "I allow a lot of artistic interpretation for the sake of entertainment and inspiration, as long as the implied meanings of the scenes are accurate. I can't judge that until I see the film."

His reaction to the first clip and the script were not a good sign, however. He believed the interaction between him and his friend wasn't even close to reality:

Not close...we never had such interaction and roles...I'm not even sure what it's getting at...personalities are very wrong although mine is closer... it's totally wrong. Personalities and where the ideas of computers affecting society did not come from Jobs. They inspired me and were widely spoken at the Homebrew Computer Club. Steve came back from Oregon and came to a club meeting and didn't start talking about this great social impact. His idea was to make a $20 PC board and sell it for $40 to help people at the club build the computer I'd given away. Steve came from selling surplus parts at HalTed he always saw a way to make a quick buck off my designs (this was the 5th time).

The lofty talk came much further down the line.

I never looked like a professional. We were both kids. Our relationship was so different than what was portrayed. I'm embarrassed but if the movie is fun and entertaining, all the better. Anyone who reads my book iWoz can get a clearer picture.

The trailer seems to hit all the key events in Jobs' authorized and unauthorized biographies?like Walter Isaacson's appaling Steve Jobs or Michael Moritz's excellent Return to the Little Kingdom. There is plenty of the legendary personal stuff?his year at Reed College, India, his first serious love affair, his first and ignored daughter, and his LSD experiences?and all of the business drama?the rise of Apple, John Sculley's treason, Jobs' exile to NeXT and Pixar, and his triumphant return to Cupertino more than a decade later.

Of course, any trailer can make any movie look great, but at least we now know that his one has some nice-ish moments. The Apple fan legion will probably be happy as they wait for the allegedly better Jobs' biopic, written by Aaron Sorkin, author of The Social Network and The West Wing's creator.

Oh, and one more thing: they changed that stupid jOBS title to just Jobs.

You're reading Front, the showcase for the very best, must-see stories and discussions in Gawker Media blogs and the Kinja universe. Follow us on Twitter.

Woz will be in the comments later tonight if his busy schedule allows him.

Source: http://front.kinja.com/wozniak-on-jobs-biopic-young-steve-wasnt-a-saint-536079326

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Video: Cole Real Estate Investments Lists on NYSE

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Source: http://www.nbcnews.com/video/cnbc/52273996/

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